زندگی من در گذر زمان #2020

زندگی من در گذر زمان By Peter Brook کیومرث مرادی
  • Title: زندگی من در گذر زمان
  • Author: Peter Brook کیومرث مرادی
  • ISBN: 9789643414405
  • Page: 250
  • Format: Paperback
  • زندگی من در گذر زمان By Peter Brook کیومرث مرادی .
    زندگی من در گذر زمان By Peter Brook کیومرث مرادی
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      250 Peter Brook کیومرث مرادی
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      Posted by:Peter Brook کیومرث مرادی
      Published :2019-08-01T08:20:09+00:00

    About "Peter Brook کیومرث مرادی"

    1. Peter Brook کیومرث مرادی

      Peter Brook born 1925 was a world renowned theater director, staging innovative productions of the works of famous playwrights.Peter Brook was born in London in 1925, the son of immigrant scientists from Russia A precocious child with a distaste for formal education but a love of learning, Brook performed his own four hour version of Shakespeare s Hamlet at the age of seven After spending two years in Switzerland recovering from a glandular infection, Brook became one of the youngest undergraduates at Oxford University At the same time he wrote scripts for television commercials and introduced to London audiences his first professional stage production, Marlowe s Dr Faustus.Brook, called the golden boy, did his first production at Stratford Theatre, one of the world s most prestigious stages, at the young age of 21 It was Shakespeare s Loves Labours Lost He spent the next several years staging acclaimed productions of plays He worked at the Covent Garden directing opera, as well as designing the sets and costumes for his productions Always seeking innovations and styles which would make his productions speak to modern audiences, he ended this experience with opera by calling it deadlytheater He directed plays with prominent actors, including Laurence Olivier in Titus Andronicus and Paul Schofield in King Lear Brook also directed the film version of this production In 1961 Peter Brook directed one of his seven films, the chilling Peter Shaffer adaptation of Lord of the Flies.Despite his successes and the fact that he was named as one of the directors of the famous Royal Shakespeare Company in 1962, Brook continued to seek out alternative ways to create vibrant, meaningfultheater This search led him to direct a season of experimental theater with the Royal Shakespeare Company in which he was free from the commercial constraints of box office concerns The season was called Theatre of Cruelty, a name taken from the works of Antonin Artaud, one of this century s most influentialtheater men Brook s desire was to turn away from stars and to create an ensemble of actors who improvised during a long rehearsal period in a search of the meaning of holytheater Out of this search would come the director s finest work In 1964 Brook directed Genet s The Screens and Peter Weiss Marat Sade, for which he received seven major awards and introduced Glenda Jackson to the theater Influenced by Bertolt Brecht and Artaud, Marat Sade shocked the audience with its insane asylum environment In 1966 he developed US, a play about the Vietnam experience and the horrors of war The production reflected a collective statement by all of the artists involved and was certainly a departure from traditional theater Jerzy Grotowski, one of the most important theater directors of this century and a man who profoundly influenced Brook, came to work with the company during this production Brook also did an adaptation of Seneca s Oedipus by Ted Hughes, a renowned English poet who continued to collaborate with the director for many years The culmination of this phase of Brook s work was hisproduction of A Midsummer Night s Dream 1970 Using trapezes, juggling, and circus effects, Brook and his actors created a sense of magic, joy, and celebration in this interpretation of Shakespeare s play It was a masterpiece of thetheater.After this highly successful production, Brook went to Paris and founded the International Center of Theatre Research He wanted to find a new form of theater that could speak to people worldwide theater which was truly universal He also wanted to work in an environment of unlimited rehearsal time in order to allow for a deep search of self for all involved The firstproduction that came out of this third phase was Orghast 1971 , which employed a new language based on sound developed by Ted Hughes This production, performed at the ruins of Persepolis in Persia, used actors from many differ


    1. Gorgeous And pretty much essential for any theatre person A long time ago in a galaxy far, far away, I saw his historic staging of A Midsummer Night s Dream, and it literally changed the way I looked at theatre, Shakespeare in particular I re read this through last night it s like The Great Gatsby, in that I tend to pull it down once a year Try this As one grows up, one either learns to distrust the imagination or else one comes to dislike the everyday and seek refuge in the unreal I was to disc [...]

    2. I enjoy everything I ve read by Peter Brook and this did not let me down A good pseudo auto biography as it is recollections than actual biographical narrative Still provides interesting views and thought about theatre and the power of acting.

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